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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
HAUTBOIS
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MANDOLINE
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PIANO & CLAVIERS
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93
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59
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2
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2
2 Pianos, 4 mains
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Guitare notes et tablatures
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9
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7
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2
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Chorale SATB
55
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25
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9
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2
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1
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1
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1
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VENTS
Quatuor de Saxophones: 4 saxophones
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Quintette de Saxophone: 5 saxophones
77
Flûte, Hautbois, Clarinette, Basson
74
Flûte traversière et Piano
29
2 Saxophones (duo)
22
Clarinette et Piano
21
Quatuor de Clarinettes: 4 clarinettes
19
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
15
2 Clarinettes (duo)
13
Clarinette
12
2 Flûtes traversières (duo)
12
2 Hautbois (duo)
10
Saxophone Soprano et Piano
10
Flûte traversière
10
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Tenor et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
6
2 Flûte à bec (duo)
6
Cor anglais, Piano
6
Ensemble de Clarinettes
5
Clarinette Basse, Piano
4
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Ensemble de saxophones
4
Saxophone (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Alto
3
Hautbois (partie séparée)
2
Clarinette (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
5 Flûtes à bec
1
Quatuor de Flûtes à bec
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
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1
Flûte à Bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de Cuivres
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trombone et Piano
15
Cor et Piano
14
Trompette, Piano
13
Trompette
11
2 Trompettes (duo)
10
2 Cors (duo)
10
2 Trombones (duo)
9
2 Tubas (duo)
8
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor
5
Trombone
5
Tuba et Orgue
4
Tuba
4
Ensemble de Trompettes
3
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
Trio de Cuivres
2
Ensemble de Trombones
2
Ensemble de Cors
2
2 Euphoniums et 2 Tubas
1
Trompette (partie séparée)
1
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Violon et Piano
45
Violoncelle, Piano
25
Alto, Piano
22
Violon
15
2 Violons (duo)
14
2 Altos (duo)
12
2 Violoncelles (duo)
10
Violon, Violoncelle (duo)
10
Alto seul
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
7
Violoncelle (partie séparée)
6
Harpe
5
Contre Basse
4
Contrebasse, Piano (duo)
4
Violon (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
2
Ensemble de Violons
2
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
115
Orchestre
23
Orchestre à Cordes
20
Ensemble Jazz
10
Ensemble de cuivres
10
Orchestre de chambre
6
Jazz combo
6
Fanfare
2
Cloches
2
Percussion (partie séparée)
1
Marimba, Piano (duo)
1
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AUTRES
Vous avez sélectionné:
Original Theme Song
Partitions à imprimer
235 partitions trouvées
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226
Firefly Theme Song
Small Ensemble Cello,English Horn,Guitar,Violin - Level 3 - Digital Download SKU: A0.10…
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Small Ensemble Cello,English Horn,Guitar,Violin - Level 3 - Digital Download SKU: A0.1025234 By Sonny Rhodes. By Joss Whedon. Arranged by Thomas C. Baggaley. Contemporary. Score and parts. 11 pages. Quest Haven Publishing #6607405. Published by Quest Haven Publishing (A0.1025234). A character-filled arrangement of the theme song for the popular space Western drama series originally performed by Sonny Rhodes. A familiar crowd pleaser for sci-fi fans (yet easy to play).Duration 2:00.Follow the arranger on Twitter (@tbaggaley), Facebook (https://www.facebook.com/thbaggaley) and Spotify (https://open.spotify.com/artist/5w8hCxLossKZuXCV9ta1X2?si=hxxGgUdGR9WyW9nTja4x0g) and visit his web page at http://www.baggaleymusic.com to find more of his arrangements and original compositions.Follow Quest Haven Publishing on Facebook (https://www.facebook.com/Quest-Haven-Publishing-107839156014/) and visit us at http://www.questhavenpublishing.com
$12.99
12.12 €
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Sonny Rhodes
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Thomas C
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Firefly Theme Song
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Quest Haven Publishing
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SheetMusicPlus
U.S. Armed Forces Theme Song Medley (Baritone or Trombone quartet)
Baritone Horn TC,Bass Trombone,Euphonium,Low Brass Quartet - Level 3 - Digital Download
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Baritone Horn TC,Bass Trombone,Euphonium,Low Brass Quartet - Level 3 - Digital Download SKU: A0.1353510 Composed by Boskerck, Crawford, Louis, Zimmermann, Offenbach. Arranged by W. C. Kennedy. Historic,March,Patriotic,Traditional. 24 pages. Weldon C Kennedy #938247. Published by Weldon C Kennedy (A0.1353510). This is an original quartet arrangement of the U. S. Armed Forces Theme songs for low brass (Baritones or trombones). Sheet music is provided for both bass and treble clef.
$20.00
18.66 €
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Boskerck, Crawford, Louis, Zimmermann, Offenbach
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W
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U.S. Armed Forces Theme Song Medley
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Weldon C Kennedy
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SheetMusicPlus
Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubertâs famous setting and arranged it in a set of musical homages to other composers. I have also included Schubertâs original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composerâs overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didnât base this on any particular piece of Joplinâs; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Donât play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porterâs well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
18.66 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Pokemon
Drum Set,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Piano,Soprano Recorder,S…
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Drum Set,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Piano,Soprano Recorder,Synthesizer,Violin,Voice - Level 2 - Digital Download SKU: A0.1416933 Composed by Benoit Grey, Louis J Cortelezzi, and Tamara Loeffler. Arranged by Daniel Luna de Menezes. Film/TV,Pop,Rock. 41 pages. Daniel Luna de Menezes #998518. Published by Daniel Luna de Menezes (A0.1416933). Pokémon Theme (also known as âGotta catch âem all!â) is a song written by John Siegler and John Loeffler (sometimes attributed to Tamara Loeffler) and performed by Jason Paige. It is the original theme song for the first season of the English adaptation of the Pokémon anime. Since its release, the song has been virtually synonymous with the Pokémon franchise because the line âGotta catch âem all!â has become its official English slogan. Pokémon Theme is a fast-paced pop rock song with continuous male vocals intermixed with backup vocal accompaniment that also sings the chorus: âPokémon! (Gotta catch âem all!)â.This arrangement is based on the version covered by Billy Crawford for Pokémon: The First Movie sountrack. The arrangement is written for pop rock band instrumentation (lead voice, backing vocals, guitar, bass, piano and drums) with optional accompaniment of violins and keyboards. The optional recorder part doubles the synth (whistle) most of the time.
$49.99
46.64 €
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Benoit Grey, Louis J Cortelezzi, and Tamara Loeffler
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Daniel Luna de Menezes
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Pokemon
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Daniel Luna de Menezes
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SheetMusicPlus
Super Mario Bros Theme
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1048175 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Brass Band. 35 pages. Ryan Gabbart #652615. Published by Ryan Gabbart (A0.1048175). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$25.00
23.33 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
Game Of Thrones
Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1304436 By Var…
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Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1304436 By Various. By Ramin Djawadi. Arranged by Midnight Symphony. 21st Century,Contemporary,Film/TV. 10 pages. Midnight Symphony #893927. Published by Midnight Symphony (A0.1304436). This is a violin, piano, and hammered dulcimer arrangement of the iconic theme song from the HBO television series Game of Thrones. This arrangement is perfect for intermediate players who want to add a touch of epicness to their repertoire.The violin part is challenging and rewarding, with a variety of fast passages and intricate melodies. The piano part provides a solid accompaniment, with a driving rhythm and lush harmonies. The hammered dulcimer part adds a unique and ethereal sound to the arrangement.This arrangement is perfect for concerts, recitals, or simply playing for fun. It is sure to be a hit with audiences of all ages!Features:- Intermediate level- Violin, piano, and hammered dulcimer (or any other instruments like Guitar)Â - Faithful arrangement of the original theme song- Challenging and rewarding violin part- Extended Version- Solid and supportive piano part- Unique and ethereal hammered dulcimer part- Perfect for concerts, recitals, or simply playing for fun[www.midnightsymphony.com][youtube.midnightsymphony.com].
$4.99
4.66 €
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Various
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Midnight Symphony
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Game Of Thrones
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Midnight Symphony
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SheetMusicPlus
Super Mario Bros Theme
Small Ensemble B-Flat instrument,Baritone Horn TC/Euphonium,Bass Clef Instrument,Bass Trom…
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Small Ensemble B-Flat instrument,Baritone Horn TC/Euphonium,Bass Clef Instrument,Bass Trombone,E-Flat Cornet,E-Flat Instrument,Horn in E-Flat,Tenor Saxophone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1048173 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Score and parts. 35 pages. Ryan Gabbart #652613. Published by Ryan Gabbart (A0.1048173). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$20.00
18.66 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
Super Mario Bros Theme
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level…
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1048169 Composed by Koji Kondo. Arranged by Ryan Gabbart. Film/TV,Pop,Video Game. Score and parts. 35 pages. Ryan Gabbart #652608. Published by Ryan Gabbart (A0.1048169). Grade 4. 1:30 duration. B-flat major. This is a short and fun original arrangement of the 1980s video game main theme, featuring the fanfare level-complete ending to finish on a high note (literally)! This classic theme song by Koji Kondo is a crowd pleaser for all audiences. Experienced high schoolers to college-level players should have no problem working this up quickly for performance.
$20.00
18.66 €
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Koji Kondo
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Ryan Gabbart
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Super Mario Bros Theme
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Ryan Gabbart
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SheetMusicPlus
Where Is Your Heart (the Song From Moulin Rouge)
Large Ensemble Clarinet,Drums,Trombone,Trumpet,Tuba,Voice - Level 4 - Digital Download …
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Large Ensemble Clarinet,Drums,Trombone,Trumpet,Tuba,Voice - Level 4 - Digital Download SKU: A0.734444 By Percy Faith And His Orchestra. By Georges Auric. Arranged by Dennis Ruello. Contemporary. Score and parts. 25 pages. Chicory Music #5743555. Published by Chicory Music (A0.734444). WHERE IS YOUR HEARTThe music was written by Georges Auric. The original French lyrics were by Jacques Larue, the English words by William Engvick. However, in the film the song is called It's April Again, and there is no mention of the phrase Where Is Your Heart.In Moulin Rouge, the theme song was sung by Muriel Smith, dubbing for Zsa Zsa Gabor who lip-synched to Smith's singing.WHERE IS YOUR HEART. This arrangement is written for French/German Band at the Advanced Intermediate Level.
$19.99
18.65 €
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Percy Faith And His Orchestra
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Dennis Ruello
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Where Is Your Heart
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Chicory Music
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SheetMusicPlus
The Wombling Song
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.746242 Composed by Mik…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.746242 Composed by Mike Batt. Arranged by Michael Pilley. Film/TV. Score and parts. 9 pages. Michael Pilley Music #5718355. Published by Michael Pilley Music (A0.746242). The theme song from the classic BBC children's TV show The Wombles, fancifully arranged for Trombone Quartet in a swing style. Make the most of the glissando just before letter C, a perfect tune to showcase your trombone quartet. The tempo chosen is a little quicker than the original, to add some excitement to the tune. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic Follow Super Bone at https://www.youtube.com/superbonequartet, https://www.facebook.com/SuperBoneQuartet, https://twitter.comSuperBoneTweets and https://www.instagram.com/superbonequartet
$20.00
18.66 €
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Mike Batt
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Michael Pilley
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The Wombling Song
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Michael Pilley Music
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SheetMusicPlus
The Wombling Song
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.746240 Composed by Mik…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.746240 Composed by Mike Batt. Arranged by Michael Pilley. Film/TV. Score and parts. 11 pages. Michael Pilley Music #5718335. Published by Michael Pilley Music (A0.746240). The theme song from the classic BBC children's TV show The Wombles, fancifully arranged for Trombone Quartet with Rhythm in a swing style. There is an optional solo section which can be opened up, and the top trombones carry most of the melody. Make the most of the glissando just before letter C, a perfect tune to showcase your trombone quartet. The tempo chosen is a little quicker than the original, which is purposefully done to enable the rhythm section to groove. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic Follow Super Bone at https://www.youtube.com/superbonequartet, https://www.facebook.com/SuperBoneQuartet, https://twitter.comSuperBoneTweets and https://www.instagram.com/superbonequartet
$20.00
18.66 €
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Mike Batt
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Michael Pilley
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The Wombling Song
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Michael Pilley Music
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SheetMusicPlus
Jeopardy Theme
Small Ensemble Bass Voice,Clarinet,Drum Set,Flute,Piano - Level 3 - Digital Download SK…
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Small Ensemble Bass Voice,Clarinet,Drum Set,Flute,Piano - Level 3 - Digital Download SKU: A0.734475 Composed by Merv Griffin. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory Music #5800059. Published by Chicory Music (A0.734475). Jeopardy!'s memorable theme song Think! was originally composed by show creator Merv Griffin as a lullaby for his son Tony; in 2005 Griffin told the New York Times that he had tossed the tune together in less than a minute. It might have been the most lucrative minute on record, though. In the same interview, Griffin estimated that the royalties from the theme had put somewhere between $70 and $80 million in his pockets.This combo arrangement has parts for: Flute (Clarinet Sub. Part), Piano, Bass, and Drum Set plus Full Score.
$12.99
12.12 €
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Merv Griffin
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Dennis Ruello
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in 2005 Griffin told the 
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Jeopardy Theme
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Chicory Music
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SheetMusicPlus
Jeopardy Theme
Small Ensemble Bass Voice,Drum Set,Flugelhorn,Piano - Level 3 - Digital Download SKU: A…
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Small Ensemble Bass Voice,Drum Set,Flugelhorn,Piano - Level 3 - Digital Download SKU: A0.734477 Composed by Merv Griffin. Arranged by Dennis Ruello. Contemporary. Score and parts. 7 pages. Chicory Music #5803427. Published by Chicory Music (A0.734477). Jeopardy!'s memorable theme song Think! was originally composed by show creator Merv Griffin as a lullaby for his son Tony; in 2005 Griffin told the New York Times that he had tossed the tune together in less than a minute. It might have been the most lucrative minute on record, though. In the same interview, Griffin estimated that the royalties from the theme had put somewhere between $70 and $80 million in his pockets.This combo arrangement has parts for:Flugelhorn (Horn in F Sub. Part), Piano, Bass, and Drum Set plus Full Score.
$12.99
12.12 €
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Merv Griffin
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Dennis Ruello
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Jeopardy Theme
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Chicory Music
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SheetMusicPlus
Theme From "bewitched"
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.736296…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.736296 Composed by Howard Greenfield and Jack Keller. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary,Film/TV,Halloween. 15 pages. Louke Publishing #4794613. Published by Louke Publishing (A0.736296). Flute Choir Theme from BewitchedProgram Notes Theme from Bewitched is from a television situation comedy originally broadcast from 1964 to 1972 about a witch who marries an ordinary mortal man and vows not to use her magical powers. It enjoyed great popularity, staying in the top ten for its first three seasons, and is rated one of the top 50 greatest television shows of all time. Even though the theme was performed as an instrumental with flutes playing a prominent part, it was written with the following lyrics: Bewitched, Bewitched, You've got me in your spell. Bewitched, Bewitched, You know your craft so well. Before I knew what I was doing I looked in your eyes That brand of woo you've been brewinâ Took me by surprise. You witch, you witch, One thing is for sure. That stuff you pitch Just hasnât got a cure. My heart was under lock and key, But somehow it got unhitched.I never thought my heart could be had But now Iâm caught and Iâm kinda glad To be bewitched. TVTelevisionTelevision Theme SongsHalloweenScarySpookyWitch1960s SitcomSitcom This flute choir arrangement can be performed with as few as 6 players or a full flute choir with multiple players on a part. It is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), and bass flute. Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com Â
$14.50
13.53 €
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Howard Greenfield and Jack Keller
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Phyllis Avidan Louke, ASCAP
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Theme From "bewitched"
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Louke Publishing
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SheetMusicPlus
Sing Gloria! (A Song for Christmas)
Choir Sacred Rhythm Section - Digital Download SKU: JX.00-20999 Incorporating Jo…
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Choir Sacred Rhythm Section - Digital Download SKU: JX.00-20999 Incorporating Joy to the World. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Christmas; Sacred. Part(s). 61 pages. Jubilate Music Group - Digital #00-20999. Published by Jubilate Music Group - Digital (JX.00-20999). English. Isaiah 9:6-7, Luke 2:1-20.A joyous, soulful Christmas setting by Mark Hayes. The spirited, syncopated opening, Sing gloria! leads to a lyrical, contrasting B section with call and response between the women's and men's voices. Then, Mark ingeniously adapts the traditional carol, Joy to the World, arranging it with all of the energetic fervor of the opening. Modulating, ringing bells tones on Sing! Sing! Sing! mark the return of the original themes for a glorious finale. (Optional InstruPax available separately). Includes director's score and parts for alto & tenor sax, 2 trumpets, 2 trombones, master rhythm and synthesizer.
$45.00
41.99 €
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Mark Hayes
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Choral Octavo
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Sing Gloria!
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Jubilate Music Group - Digital
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
14 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
14 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.79 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
14 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
14 €
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Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
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